THE APOSTROPHE IN KOCHO RACIN’S LYRIC
DOI:
https://doi.org/10.46763/PALIM23816085gjdAbstract
In Jonathan Culler’s theoretical descriptions of lyric, the apostrophe is seen as an essential and endemic feature through which some of the constitutive features of this genre are manifested. Starting from these theoretical premises, the purpose of the article is to interpret the apostrophe in Kocho Racin's poetry collection White Dawns. The interpretive focus is placed on two levels: first, on the role of the apostrophe as a mechanism through which the "intratextual communicativeness" (Yuri Levin) is articulated in the poem; secondly, on the function of the apostrophe in the creation of “egotive-appellative “(Yuri Levin) lyrical models in Racine's poetry.
Keywords: apostrophe; lyric; intratextual communicativeness; Racin.
Downloads
Downloads
Published
Issue
Section
License
The intellectual property and copyright on the original content of all scientific contributions in the published paper shall remain with the authors. Authors give permission to the PALIMPSEST owner to publish the paper. All authors agree to publish the paper under Attribution-NonCommercial-NoDerivatives 4.0 International license (CC BY-NC-ND 4.0)
